I've seen all of the Bond movies and read a great deal of the "re-boot" books from the 1980s and 1990s. I've never read a Bond book by Ian Fleming. Sebastian Faulks claims to have written this book "as" Fleming.
Nan once told me she had read a Fleming Bond book that took place in Lake Placid, NY, where bond was in the story for all of two chapters.
I'm not sure what I expected. I came close to abandoning this several times. I actually completed three other books at the same time.
This book picks up from where Fleming left Bond...I'm not sure which book was Fleming's last but the setting for this one is the late 1960s. There is some interest in reading a "period" Bond book but overall this one left me...unsatisfied.
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The idea is simple: on the last Friday of each month, post about the best book you've finished over the past month while visiting other bloggers doing the same. In this way, we'll all have the opportunity to share our thoughts with other enthusiastic readers. Please join us:
Showing posts with label James Bond. Show all posts
Showing posts with label James Bond. Show all posts
Friday, July 25, 2014
Friday, November 30, 2012
Film Festival Friday: November 30, 2012
I realize that I had two double-feature days this past week! And I spent more time in the theater this past Saturday watching movies than the rest of the entire year ("The Avengers" notwithstanding!).
We did a double-date lunch and a movie with one of my cousins on Saturday. After an underwhelming lunch at The Essex Bakery and Cafe, we braved the crowds and went to see "Skyfall".
We did a double-date lunch and a movie with one of my cousins on Saturday. After an underwhelming lunch at The Essex Bakery and Cafe, we braved the crowds and went to see "Skyfall".
Currently #108 on my flickchart list |
I did enjoy the movie but I struggle with it as a "Bond" flick in general and this new "realistic" Bond in particular. I am an unabashed fan of Pierce Brosnan. I am fine with the quips and gadgets of the past. There was not enough "secret agent double O-7" in this. And the villain seemed to harken back to the Roger Moore era. But all in all, it was a satisfying "man movie".
When we went to pick up our kids, both Lars and I thought there was a chance our only cousin-in-common would be free and interested in seeing "Red Dawn". When Lee proved to be unavailable perhaps saving himself for a guy's night of "Jack Reacher", Lars and I went ahead on our own.
Currently #214 on my flickchart |
A fun, if predictable, updating of the movie from my youth. It hit all the right notes and most of the cast was pretty good. I continue to enjoy Chris Hemworth's non-Thor roles and Josh Hutcherson hasn't disappointed me yet. The secondary lead, Josh Peck, is a former child actor trying to get his bearings. He left me slightly under-impressed.
Yesterday, while I was recovering from my night out, I hit Redbox for two different sort of movies.
Currently #91 on my flickchart list |
I had intended to watch "Quantum of Solace", which Lars had loaned me, but saw this when I went to rent my second feature. I always enjoy Denzel Washington and he did not let me down here. It had a certain gritty-realism and believe-ability. My next movie...not so much.
Currently #199 on my flickchart list |
Nan and Wikes went to see "Abraham Lincoln: Vampire Hunter" during a Girls' Night Out when it opened. It had piqued my interest and I zeroed in on it for my day off once I scheduled it. So I toasted up my Stouffers French Bread Pizza (my work day off staple) and popped this one in.
I got what I expected...a fun romp that takes it self just seriously enough (in terms of characters and acting....not so much the action, especially the horse stamped scene!)
Sunday, November 2, 2008
Bond...James Bond.
For you, Nan. Cut and pasted from various sources.
Originally meant as the first James Bond film, Thunderball was the center of legal disputes beginning in 1961. Former Ian Fleming collaborators Kevin McClory and Jack Whittingham sued him shortly after the 1961 publication of the Thunderball novel, claiming he based it upon the screenplay the trio had earlier written in a failed cinematic translation of James Bond.
The lawsuit was settled out of court; McClory retained certain screen rights to the novel's story, plot, and characters. By then, "James Bond" was a box office success, and series producers Albert R. Broccoli and Harry Saltzman feared a rival McClory film beyond their control; they agreed to McClory's producer's credit of a cinematic Thunderball, with them as executive producers.
Later, in 1964, EON producers Broccoli and Saltzman agreed with McClory to cinematically adapt the novel; it was promoted as "Ian Fleming's Thunderball". Yet, along with the credit to screenwriters Richard Maibaum and John Hopkins, the screenplay is also identified as based on an original screenplay by Jack Whittingham and as based on the original story by Kevin McClory, Jack Whittingham, and Ian Fleming.
To date, Thunderball has twice been adapted cinematically; the 1983, McClory-produced Never Say Never Again, features Sean Connery as James Bond, but is not an official EON production. (The title is based on a conversation between Sean Connery and his wife. After the film Diamonds Are Forever he told her he'd 'never' play James Bond again. Her response was for him to "Never say never again". She is credited at the end of the film for her contribution. As a result, it was the first Bond movie to use a non-Fleming originated title.)
The film For Your Eyes Only is noted for its pre-title sequence which sees the final comeuppance of Ernst Stavro Blofeld, Bond's enemy in five previous films. For this film, Blofeld is deliberately not named due to copyright restrictions with McClory, who owned the film rights to Thunderball which supposedly includes the character Ernst Stavro Blofeld, the organization SPECTRE, and a number of other material associated with the development of Thunderball. The demise of Blofeld was added to show that the "James Bond" series did not need Blofeld.
Originally meant as the first James Bond film, Thunderball was the center of legal disputes beginning in 1961. Former Ian Fleming collaborators Kevin McClory and Jack Whittingham sued him shortly after the 1961 publication of the Thunderball novel, claiming he based it upon the screenplay the trio had earlier written in a failed cinematic translation of James Bond.
The lawsuit was settled out of court; McClory retained certain screen rights to the novel's story, plot, and characters. By then, "James Bond" was a box office success, and series producers Albert R. Broccoli and Harry Saltzman feared a rival McClory film beyond their control; they agreed to McClory's producer's credit of a cinematic Thunderball, with them as executive producers.
Later, in 1964, EON producers Broccoli and Saltzman agreed with McClory to cinematically adapt the novel; it was promoted as "Ian Fleming's Thunderball". Yet, along with the credit to screenwriters Richard Maibaum and John Hopkins, the screenplay is also identified as based on an original screenplay by Jack Whittingham and as based on the original story by Kevin McClory, Jack Whittingham, and Ian Fleming.
To date, Thunderball has twice been adapted cinematically; the 1983, McClory-produced Never Say Never Again, features Sean Connery as James Bond, but is not an official EON production. (The title is based on a conversation between Sean Connery and his wife. After the film Diamonds Are Forever he told her he'd 'never' play James Bond again. Her response was for him to "Never say never again". She is credited at the end of the film for her contribution. As a result, it was the first Bond movie to use a non-Fleming originated title.)
The film For Your Eyes Only is noted for its pre-title sequence which sees the final comeuppance of Ernst Stavro Blofeld, Bond's enemy in five previous films. For this film, Blofeld is deliberately not named due to copyright restrictions with McClory, who owned the film rights to Thunderball which supposedly includes the character Ernst Stavro Blofeld, the organization SPECTRE, and a number of other material associated with the development of Thunderball. The demise of Blofeld was added to show that the "James Bond" series did not need Blofeld.
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